I never had a review blog, but I did write normal reviews on goodreads and was quite vocal. I don’t review anymore because I guess on this side of the writing, I’ve changed my perspective.
From my experience with reviewing, there are a number of pressure points that can boil blood. This is my take now that I’m behind the wheel. These might be Urban Fantasy and Paranormal Romance pressure points, but some are relevant to all genres. This list isn’t exhaustive.
TSTL – Too stupid to live.
Well I changed this one to ‘ too stubborn to listen’ for Mae, my protagonist. This is when you feel the character is making reckless and uninformed decisions, endangering their safety. Characters do some pretty stupid things. When you write, you need to take them on a journey or they’re all just sitting around in an impenetrable box shooting the breeze. And although the breeze might turn quite rancid after awhile as they start sharing breath, the story would be more interesting if you get them out there into the action. I think the key here is growth.
Okay, this one hasn’t changed for me. I love growth. I love to watch a sitcom where one minute you are shaking your fist at an idiot, and the next you are crying because they figured out that no-one tolerates a selfish hater. I can be easily manipulated by good writing. Where it happens is important to me though. I like characters to grow within the book. I won’t wait 2-3 books.
Sometimes they just appear. They don’t bother me anymore because what I thought was contrived, is sometimes a coincidence, and sometimes there’s more than one member of the opposite sex hanging around that’s single. What does bug me though, is when the protagonist manipulates her loyal subjects who in turn morph into sulking morons when they don’t get attention. But I don’t review anymore. So I’ll shush.
I thought these only existed to entice the reader to continue the series. What I’ve realised is that you write until you feel the story is ready to end.
This one still confuses me but I love it when people rant about it. I think this is when a protagonist is deemed uninteresting, but the love interest runs around like a headless looney to be with her anyway. Or is it when ten headless loonies want to be with her? Or do they whine about how boring they are – I don’t even have to infer it – but they suddenly become the most interesting person to the most amazing person and there is no reason? Is it when you feel the writer wishes they were the protagonist?
I can probably tolerate anyone as long as they don’t have loads of adoring fans who pass out with awe when they walk past. And I have to see that romantic connection. I get it when she’s sassy, and he’s sassy and together they are the Sassinators, but when there is only a physical attraction and there is loads of whine involved, I’m out. Wine involved? Count me back in.
Okay, I just did some research. This needs its own post. Could be fun.
This is probably more of a pressure point for UF and PNR since most of it is written in first person pov. There is nowhere to hide. I used to wonder, “Why don’t writers make the protag interesting? A real fire-cracker?” They may not want to, they may want the story to shine, they may not think they are uninteresting. Also, I read a book with an over the top fire-cracker once and wow that was exhausting. Maybe not to the writer though. *shrugs*
What are your reviewing pressure points and have they changed? Did you change your perspective on reviewing when you started to write?
*deletes goodreads reviews*